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For There Are No Squirrels in Lethbridge, post-production was also intensely personal because I handled the entire pipeline—editing, coulouration, sound design, mixing and mastering, finishing, and composing the full score.

What it’s like producing and starring in a neo-noir pilot on a micro-budget—switch techniques, performance lessons, and why the edit changes everything.

“Union” is one of those words that makes micro-budget filmmakers either puff up with confidence or quietly back away from the room. Here's what I learned.

How Conner Christmas and I (Nick Bohle) made a TV pilot of a ~$38K micro-budget.

Follow the production journey for one of Lethbridge's first ever television pilots and series pushes.